Architectural Record's December 11, 2014 news story, "AIA Chooses Moshe Safdie Over Venturi Scott Brown for Gold Medal," broke the story to this year's Gold Medal judging. Caroline James wrote a Letter to the Editor in response to this historic AIA Gold Medal decision on January 6, 2015. The following is the original letter with photos and image captions.
To the Editor:
Inclusion, Recognition, and the 2015 AIA Gold Medal Decision
The AIA National Jury announced their decision last month to award the Gold Medal to Moshe Safdie, an esteemed architect and educator whose work and influence spans many continents. The outcome, however, was surprising and disappointing to supporters of Denise Scott Brown and Robert Venturi. Many feel that their recognition by the AIA’s highest professional honor is long overdue. “Why didn’t they win?” they asked. As one of the spearheads with Arielle Assouline-Lichten and Women in Design of the Petition to Recognize Denise Scott Brown for her role in the Pritzker Prize, I would like to set this decision in the context of the last few years and the years to come.
The 2015 Gold Medal round was the first in history when the application for Venturi and Scott Brown was opened, considered, and embraced. Over three decades, many had urged Bob to apply on his own, but he refused to go for the Gold alone. Each of their joint applications was returned owing to old eligibility requirements that have since been amended. The placing of Bob and Denise among the finalists constitutes a momentous recognition of joint creativity in design.
Assembling the Gold Medal nomination is a thorough process, brought forth by teams of supporters for each applicant who network with architects and others and secure letters of recommendation. For Bob and Denise, this support came from the profession, legacy firms, University Presidents, and architectural historians. Seven former Gold Medalists, perhaps a record-setting number, wrote letters on their behalf. The National AIA Committee on Design served as the official nominating entity.
Billie Tsien, principal of New York-based Tod Williams Billie Tsien Architects, delivered the presentation at AIA National Headquarters. “I felt a big responsibility to make the presentation,” Tsien said, “It is the right thing to do. We know that architecture comes from many hands, but joint creativity is a mysterious and indescribable trait. The work that they’ve done is so intertwined.” Tsien’s presentation is historic, for it reveals the nature of their shared creative output.
Kem Hinton, FAIA, of Nashville’s Tuck-Hinton Architects, headed this year’s application with the help of many, including Julia Donoho, AIA, Esq. and Harry Bolick, VSBA Inc. Hinton added, “The late Fred Schwartz, FAIA, and his partner, editor and writer Tracey Hummer, led this effort with the support of so many across the nation. Having witnessed the remarkable collaboration of Denise and Bob, I am elated at the progress. Now onward to the next swing at the bat for this dynamic duo.”
On the evening that the Gold Medal decision was announced, I spoke with Denise, who underscored the positive impacts and progress in the profession over the last two years that cannot be taken away:
Positive #1: Julia Morgan in 2014 became the first woman architect to receive the AIA Gold Medal, over 60 years after her death. She was as prolific as Frank Lloyd Wright in terms of output, building over 700 projects, including Hearst Castle.
Positive #2: The AIA amended the rules to allow partners to receive the Gold Medal for the first time. Eligibility guidelines for the Gold Medal now state: “Any individual (not necessarily an American or an architect); or two individuals working together (but only if their collaborative efforts over time are recognized as having created a singular body of distinguished architectural work) ….”
Positive #3: Denise said the Pritzker Petition brought much “love” to architecture. This was her compliment to nearly 20,000 signers, many of whom made statements on change.org that communicate their support, and also wider thoughts and concerns about the profession. Denise interprets the Petition as a social document—a datum on where architecture stands in 2013-2014. In her 2013 lecture at the Harvard Graduate School of Design, she elaborated, calling petitioners’ comments, “Mayhew’s Architecture,” in reference to an historic report on conditions of workers in London during the Industrial Revolution.
The 2015 Gold Medal round and these positive outcomes are all part of a process towards understanding and resolving issues of inclusion within a contemporary context. It’s not without fits and starts, and it’s not just for partners, or women, or Denise Scott Brown. Women in Design, The Missing 32% Project, and the Beverly Willis Architecture Foundation have joined organizations worldwide in leading the charge towards an inclusive and diverse profession that recognizes all its constituents. Many overlapping dialogues and controversies are shifting the course of the profession and recent events suggest the efforts are succeeding. Bob and Denise’s supporters will likely re-nominate them next year for the AIA Gold Medal. This year’s jury and supporters are enthusiastic in recommending they should. Everything considered here suggests the same.
Women in Design - Cambridge, MA
January 6, 2015